Rosa Bonheur, the most famous female painter of the 19th century, was a queer cross-dresser who honored what she called the “androgyne Christ.” She had two consecutive long-term relationships with women. She died on this date (May 25) in 1899.
Born in France in 1822, Bonheur received much acclaim in her lifetime for her paintings of animals. In recent years she has been celebrated as a queer pioneer, feminist icon, and role model for the LGBT community. Her achievements grew out of an unusual religious upbringing in the proto-feminist Saint-Simonian sect, and the queer Christian ideals that she expressed in adulthood. Bonheur’s gender-bending lifestyle has been covered extensively by scholars, but her spirituality has received much less attention.
Her parents raised her in Saint-Simonianism, a French utopian Christian-socialist movement that advocated equality for women and prophesied the coming of a female messiah. Her father was an artist and an ardent apostle for the Saint-Simonian religion. Bonheur writes a whole chapter about growing up as a Saint-Simonian in the book “Rosa Bonheur: The Artist’s (Auto)biography,” which she wrote with her companion Anna Klumpke.
The Saint-Simonian concept of gender equality paved the way for Bonheur’s father to train her as a painter… and for her own defiance of gender norms. As she put it, “To his doctrines I owe my great and glorious ambition for the sex to which I proudly belong and whose independence I shall defend until my dying day.”
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