His reputation as a sculptor was tarnished by the circumstances of his death. In common with the practice of the time, his name was removed from many of his works, and his career literally was forgotten, but he is now re-emerging from the artistic shadows as a result of work by dedicated twentieth-century scholars. :
struggling with a serpent
The execution of the Belgian sculptor Jérôme Duquesnoy the Younger (1602-1654) must have served as a warning to other artists about the consequences of any “improprieties” in their lifestyles or their works. Although his reputation is today eclipsed by that of his elder brother, François, Jérôme Duquesnoy was widely regarded as a prominent sculptor during his lifetime.
…..Duquesnoy’s exuberant and appealing statues of young boys, such as Hercules Fighting with Serpents (ca 1650), attest to his sexual proclivities, which led to his downfall. In the Pietà (ca 1640), he envisioned a beautiful young angel, passionately kissing the arm of a sensual Christ.
Richard B Mann, glbtq encycloedia
…… he produced such famous works asGanymede and the Eagle of Jupiter (ca 1540-1545) andChildren and the Young Faun (ca 1542-1547). Many of Duquesnoy’s works depict strong, muscled male figures in the Hellenic tradition, the polished bronze often seeming to mirror the sculptor’s innate fondness for the form he was creating.
For centuries after his death, Duquesnoy’s reputation was both tarnished and repressed, and it is only recently that his works have enjoyed critical attention. A sculptor of remarkable talent, Duquesnoy’s vigorous body of work finally serves to celebrate that talent rather than stand as a reminder of the sad end to a very promising career.